The notion of theatrical picture is used with reference to short parts into which a construction site.
The concept of the theatrical painting usually refers to those scenes that take place without changing the scenery; its end is characterized by the fact that the stage remains empty for a moment, and because it indicates that the course of action is interrupted, either temporally or spatially.
Scene modifications generally mark the beginning and end of a theatrical picture. The end of these tables may also imply that the action is spatially or temporarily interrupted, leaving the stage empty for a few moments. This means that, sometimes, a change of scenery is not necessary for a theatrical picture to conclude.
The theatrical picture can be understood as a representation of an event of short duration. At present, the box is the structure that is most used, and its main characteristic is that it is an independent unit from the others; Each one has its own approach, a development and an outcome, so that there may be more than one scene in it.
Given the characteristics of current life, which takes us frantically from one activity to another, without time or space to make real decisions, since all have been taken by those who impose the fashions, it is easy to understand the appeal of the theatrical picture in instead of a composition much more extensive and complex. We are in an age that seeks satisfaction and content in small portions, which can be consumed as we begin to get up and move to our next station.
It is important to note that it is possible to relate more than one painting from a thematic point of view without a linear progression. They are considered structures non-aristotelian because they should not obey patterns of “unit”, but it is possible to present them with order variables.
Precisely, aritotelian units They are rules belonging to the field of literature, which were specifically designed for use in dramaturgy, although their scope goes beyond and encompasses art in general in the form of theory and criterion aesthetic, with the aim of achieving a unitary character in the works.
During the Spanish Golden Age, a stage in which literature and art in general flourished considerably, the theatrical picture was often known by the name of scene.
The tables, in turn, constitute the acts, which are the main parts of a work. In the acts the narrative structure plays a fundamental role, according to which a problem is posed, the characters are presented and then the conflictive situations that impede their objectives develop, to finally lead to the outcome, in which they are not always resolved.
The plays, in short, are made up of actswhile acts are made up of pictures or scenes. Viewers perceive the plot as a Unit, as a whole, beyond these subdivisions.
It is known as customs box, on the other hand, to an article written in prose that offers a description of values, habits and behaviors that are common to a social class, a geographic region or a trade.
The Spanish Serafín Estébanez Calderón Y Mariano José de Larra They are some of the most famous authors of paintings of customs. Articles of this type are usually compiled in anthologies that provide numerous data of interest to the sociology since they describe how people lived in a certain historical period.
According to the dictionary of the Royal Spanish Academy (RAE), finally, the group of performers who, in a show, remain static in front of the audience during certain moments is also called a painting.