Imposition is a term that comes from the Italian language and refers to the action and effect of imposing. East verb, for its part, is used to mention the fact of setting the voice in the vocal chords in such a way that the sound is emitted without hesitation or tremors.
For example: “The voice-over teacher told me that I have to work on the imposition of the voice to expand my registers”, “I do not like the imposition that the artist makes in this song”, “The impostation of the soprano surprised me”.
The imposition is a concept that is used in the musical education. The teachers teach the students all the secrets of singing and voice management, which is the sound that is produced when the air it passes through the larynx and vibrates the vocal cords.
The imposition can be understood as a technique or a exercise that is done with the voice. The objective is to place the voice in the soundboard to obtain the maximum phonatory performance with the least possible effort. To set the voice, it is necessary to coordinate breathing with the emission of sounds, while what experts define as vocal vices are eliminated (an incorrect pitch, the association of the low voice with bass sounds and screams with treble, etc.).
With the imposition, the person develops a vocal scheme based on the support that the breath gives to the voice. Thus, by perceiving and managing the vibrations on the body, the subject manages to take full advantage of the speech tools.
In other words, the setting, also called positioning, consists of correctly directing the voice so that the breathing and natural amplification, in such a way as to obtain a clear sound, in tune, rich at the timbral level and flexible enough to face the performance of various musical works. Achieving this, on the other hand, is a goal that takes many years to the most talented people, and that most aspirants do not achieve in their entire lives.
Breathing is considered by many singing teachers and professional singers as the base of this discipline; however, not everyone agrees with this statement. Although it is true that breathing correctly helps to take care of the health of the vocal cords, it keeps the organism adequately oxygenated and allows the reproduction of virtuosic passages characterized by the impossibility of taking air for several seconds, the management of oxygen is not in itself a guarantee of beauty or musical prowess.
Professional athletes need to breathe properly, and this is also required by certain disciplines of meditation, which proves that breathing is not exclusive to singers but a characteristic of those who want to make the most of their physical capacities; There may be a very talented singer who does not know how to breathe, but there is no use in controlling the air without ability to polish.
According to the principles of the traditional school of singing, the best setting for the voice avoids by all means any effort focused on the vocal cords; Since we cannot see the inside of our body, to ensure that we are placing the voice correctly we must check that the air flows smoothly through the throat and shock against our hard palate, so that we never feel discomfort after a practice.
Besides the Health vowel that supposes a correct setting, allows that the sound is projected much more than through a deficient handling of the speech apparatus; In short, a well-set voice should be able to be heard farther away and more clearly than a scream, even without using great intensity.